If you can't get an in person teacher - your best resource is going to be listening to a lot of flamenco, then getting some tutor books to follow along. ![]() And when done, you've got a single very specific and overly complex way to play 15 seconds of something that should be fluid and dynamic and doesn't really convey the basics of what flamenco is. He's got a lot of stuf that is "here is how you play bulerias" and he painstakingly goes through specific rasgueos for each half beat. He's good if you are looking for some note for note accuracy in transcriptions. Generally speaking - you will waste a lot of time on rdiaz if you are trying to learn flamenco. It might not work for everyone, but it worked for me. I think this was done because to start with the easiest version of solea compas they could come up with Of course, always means most of the time, and never means usually not- rules are made to be broken- and in the basic solea compas video, the guitar is silent on 6. ![]() ![]() This is standard to other 12 count palos, like alegrias and bulerias. I could play all the falsetas and compas variations in the video you linked (and similar ones for solea, alegrias, and seguirilla, and compas for bulerias, and solea por bulerias) in less than 6 months, pretty good in my opinion.įrom going the material on the website and book, I came away with the impression that typical solea rhythm emphasises beats 3, 6, 8, 10, and 12, except during escobilla, which emphasizes 1, 4, 7, and 10. I started with them, just playing solea, tangos, and alegrías compas and then slowly working in easy falsetas. On the actual site (not YouTube), there are compas tutorials.
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